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Inkjet Transfer Techniques Offers artists and photographers new processes for printing on metal, metal leaf and other non-porous surfaces using custom precoats and gelatin transfers - all suitable for desktop
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Yuzen Chiyogami papers showcase beautiful graphics in the Japanese tradition. Originally printed by woodblock on kimonos or paper, these crisply detailed patterns are now silf screened in brilliant color s on
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Yuzen Chiyogami papers showcase beautiful graphics in the Japanese tradition. Originally printed by woodblock on kimonos or paper, these crisply detailed patterns are now silf screened in brilliant color s on
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Usually used for decorative purposes, Kinwashi is machine made from manila fibers. The sheet is smooth n one side and textured on the other with straw-like vegetable fibers. It is translucent and acid-free. *** To
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Mingeishi Awagami Paper - Pure White Wonderful for printmaking, this handmade Japanese paper is acid-free and made with kozo fiber. Lightweight, but strong and long-fibered, it has 4 natural deckle edges. Sheet
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Mingeishi Awagami Paper - Natural Wonderful for printmaking, this handmade Japanese paper is acid-free and made with kozo fiber. Lightweight, but strong and long-fibered, it has 4 natural deckle edges. Sheet size:
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Okawara Student by Awagami Very similar in look and feel to the Okawara Pro , this paper is much larger and has a slightly less dense texture. Made with acid-free kozo/hemp fiber, it works well for printmaking,
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Kozoshi Natural by Awagami This heavyweight machine-made paper, with 4 cut edges, is made of off-white kozo/hemp. The name comes from the principle fiber in the pulp. Heavier than our other Kozo papers, it is quite
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Unryu 2 Soushi by Awagami This 2-ply paper features prominent fibers, yet still allows for printing impressions without lifting the surface. Machine-made from kozo/sulphite pulp, it is white and acid-free.
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Masa Japanese Paper, 77gsm, 43in x 30yd Roll Used as am inexpensive sumi, printmaking, marbling and fine letterpress paper. Masa is a soft, white paper with the traditional absorbency and feel of handmade Japanese
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Mulberry is soft, flexible, long fibered and possesses great wet strength for its weight. Use it for block printing, chie colle, etching, lithography and as a traditional sumi paper. Handmade from kozo and
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Kozo rice paper is highly absorbent, making it ideal for calligraphy and Watercolor painting. Kozo paper is not
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Usually used for decorative purposes, Kinwashi is machine made from manila fibers. The sheet is smooth n one side and textured on the other with straw-like vegetable fibers. It is translucent and acid-free.
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This bright white, neutral pH paper shows inclusions of shiny, rayon fibers. Shushoku works beautifully as a decorative paper, as well as for bookbinding and printmaking. It is also laser compatible and accepts
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