Mingeishi Awagami Paper - Pure White Wonderful for printmaking, this handmade Japanese paper is acid-free and made with kozo fiber. Lightweight, but strong and long-fibered, it has 4 natural deckle edges. Sheet ...
Mingeishi Awagami Paper - Natural Wonderful for printmaking, this handmade Japanese paper is acid-free and made with kozo fiber. Lightweight, but strong and long-fibered, it has 4 natural deckle edges. Sheet size: ...
Usually used for decorative purposes, Kinwashi is machine made from manila fibers. The sheet is smooth n one side and textured on the other with straw-like vegetable fibers. It is translucent and acid-free. *** To ...
Ogura is a strong handmade paper with heavy swirling fibers throughout the sheet. It's made from a mixture of kozo, hemp and sulphite. Though quite absorbent, Ogura Natural makes an excellent painting surface, and ...
Made of kozo fibers and sulphite, Goyu is ideal for block printing, chine colle and sumi painting. Goyu is a handmade, acid-free traditional white paper with 4 deckle edges. *** To ensure that your paper will ...
Mingeishi Awagami Paper - White Wonderful for printmaking, this handmade Japanese paper is acid-free and made with kozo fiber. Lightweight, but strong and long-fibered, it has 4 natural deckle edges. Sheet size: ...
Used as an inexpensive sumi, printmaking, marbling and fine letterpress paper, Masa is a soft, white paper with the traditional absorbency and feel of handmade Japanese papers. Machine-made in Japan from sulphite, ...
Sekishu is thin, wispy and delicate in feel. It has great wet strength for its weight and is an excellent sheet for traditional Oriental painting techniques. It also works well for collage and as a chine colle ...
Kasuiri is handmade in Japan from kozo fibers. Dark pieces of bark dispersed throughout the paper give this sheet a decorative appearance. It has 4 deckle edges. *** To ensure that your paper will arrive without ...
Very popular in Japan, Chiri is a translucent buff-colored sheet with small bark particles in the surface. Handmade from kozo and sulphite, it's used in block printing, as a decorative paper and for end sheets in ...
Mulberry is soft, flexible, long fibered and possesses great wet strength for its weight. Use it for block printing, chie colle, etching, lithography and as a traditional sumi paper. Handmade from kozo and ...
Six feet long, this extra-large sheet is strong and acid-free. Machine-made from kozo and sulphite, it's recommended for block printing, drawing and sumi painting. *** To ensure that your paper will arrive without ...
This attractive machine-made paper is light and translucent, with long silky fibers running throughout the surface. Unryu White is a good choice for block printing, collage work, sumi painting or as a decorative ...
Iyo Glazed has unusual surface characteristics for a Japanese paper. One side of the paper is quite smooth, while the other is slightly rough. The smooth side works well for pen and ink, painting, wood block and ...
Recommended for wood block printing and chine colle, Hosho Professional is one of the most popular Japanese papers we sell. This handmade sulphite sheet is white in color, has a slight chain pattern and 4 deckle ...
Long-fibered, soft, flexible and strong, Owara Mulberry is great for block printing, sumi painting, lithographs and etchings. One side is smooth and relatively non-absorbent; the other is soft and takes ink ...
This acid-free paper is used as an interleaving, a mending tissue in conservation work and a chine colle sheet for intaglio printing. Machine-made in Japan, Silk Tissue is a mixture of gampi and sulphite. It has a ...
Often used in restoration and bookbinding because of its strength, Kitakata is also suitable for printmaking, chine colle and block priting. Off-white in color and silky in texture, Kitakata is handmade from gampi ...
